BEST FREE VOCAL RIDER VST SERIES
In this series of videos we explore four different ways that you can use to process the dynamics of your lead vocals. How then can we process the dynamics of lead vocals outside of traditional approaches that can help us sit vocals purposefully in a mix? Too much compression and a vocal can sound strangled and lifeless, too little and a vocal can sound dynamically intermittent or disconnected from a mix. Setting a tasteful amount of compression is more often than not the main reason why so many struggle mixing vocals. Those points together illustrate how pressure can start to build up when we mix lead vocal tracks but what can we do to make our lives easier when all we want is to get a great sounding vocal sound? Mixing a lead vocal track is generally the last process most producers and engineers address in a mix as it’s the cherry on the cake, the feature, the main element that our listening audience’s ear will latch onto, sing along with and most importantly connect with emotionally. Selectable between 1 - 10 seconds.Mixing lead vocal tracks can be a challenge as we often put ourselves under immense pressure to get them balanced tastefully within a mix.
Display Speed: The speed of the gain reduction display.The LF Filter must be active for this to take effect. Flt Side Chain: Puts the LF filter into compressor side chain, instead of the main input.Useful for vocals for keeping sibilants at bay. HF De-Emphasis: Controls how much high frequencies can affect the dynamics compression.Pull Up: Amount of upwards compression.Push Down: Amount of downward compression.Attack Mode: Several attack presets from zero to 1 sec.LF Filter: Several low frequency filtering presets with different cut-off frequencies and Q-values.Visual metering for changes in dynamics.Very soft knee compression gradually turning to limiting at "Push Down" point.Upwards & downwards compression, each separately adjustable.VOLA aims to sound clean, but can be used for extreme compression effects as well.
It was originally made for broadcast voice dynamics processing, but it works well with all kinds of material, like drums and synth pads. VOLA is a voice optimized leveling amplifier.
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